
A very shitty review of: Synecdoche, New York.
We all ask the existential question of “Who am I?” but often times we pretend we know, and we are thus happy. But those few who venture farther may very well find the answer, or they may find something far more dreadful. This latter possibility is what is being explored in Synecdoche. As the viewer we are forced to see how the main character’s self is a psychological gestalt, a synecdoche, of all those he is involved with. In this world people do not have identities separate from each other, but are all aspects of the main character, but facing the harsh realities that even the main character has no true identity. I will call this a film exploring the darkest aspects of taking a psychological enroot to the Flux Doctrine.
For the past several months I have picked up and put down this moving at least once every week. While its outstanding cast has caught my attention, its summery, and the fact that it came out at the same time as several documentary-like movies, cause me to always put it back. However I was missing two important points. The first was someone to tell me “you idiot, this movie is awesome” - which thankfully a friend of mine, Rack, more casually pointed out. He also pointed out it is the same director as films such as
Eternal Sunshine of the Spotless Mind and
Adaptation (two very good films), Charlie Kaufman. WHY THE FUCK HAD I IGNORED THIS?!
First, I must say I do not at all regret having not seen this. This was by far one of the most horrifying films I’ve ever seen. If you notice before I did not name the main character, because I have doubts as to who that is. Though for practically that main character is Caden. Who is Caden? Caden is the heterosexual, homosexual, once married, twice married, dying, healthy, asleep, awake, male, female….person whose life, dreams, or fantasies we are forced to endure. Of course we assume his name is Caden, it could be Ellen, or Eric and to take it a step farther, you can find a list of character names on IMDB, and all of them may be the main character’s name.
THE FUCK?
There is one thing I love to do when watching a film: if it is an art film I like to find the philosophy or psychology or concept it is exploring. And my God, is this an art film. It is about as pretentious as a 5min black and white, silent, indie short that wins the attention and praise of all those who have not seen the light of day since they gave up being human in 6th grade. There is also a thing I despise doing, and that is looking at a film piece by piece. But I am forced to do this, as this film doesn’t allow me to explore its main concept without doing it.
The film spends its first chunk teaching us about a repulsively dysfunctional family. From obsession of obituaries and death, to the examination of people’s shitting habits reminiscence of Augusten Burroughs. For this first chunk we are already aware we are dealing with dysfunction, somatic exploration (ending in proposed death) of said dysfunction, and hypochondria. I’ve seen films exploring these concepts before, but what made this special is its humanity. Now that is cliché to say as this film is taking an approach that is far from realistic, but think about this. We all faulter, right? When we do these we often catch ourselves, upon doing so a crazed race of thoughts occur, including imaginings of how much worse it could have been. This film SHOWS that lines of thoughts in the most somatic of ways. Not only somatic in how it affects the character but how it affects the entire world around the character.
Weird, huh? That aint nothing yet.
To summarize the rest of the story is pointless. It’s on the back of the box. But I have a little left in me that I want to say:
Now I’ve said this film is about familial dysfunction? I was wrong. After this first chunk the wife leaves the bastard and takes their daughter with her. To our view a week has passed, and Caden is having to deal with dedication to his wife versus fucking the sexy co-worker. Eventually the co-worker mentions that it has been a year since Caden wife has left (to the viewer’s shock, Caden doesn’t seem to care that it really hasn’t been a week..).
TIME FUCK
This is the first of MANY time-fucks we have. In this film time has no meaning. A day may pass, a year may pass, 10 years may pass, without us noticing. The only real way to figure out the time in any given scene is to judge my Caden’s look. But even that fucks up in the end when Caden gets younger (it’s like Curious Case…, on crack).
And from here on out reviewing the movie on any sort of bit by bit basis is impossible. Why? Because of this:
ALL REALITY IS SUPEREMPOSED INTO A PLAY THAT IN TURN BECOMES REALITY…which as it turns out might be just because Caden is asleep, or he’s dead, OR FUCKING SCHIZO. A play about the life of Caden, which ironically has a lot of stories but no content whatsoever. And an endless pool of delusion, despair, and somatic expression. By the end of the film we no longer have any ability to say “we are working from the point of view of the main character” because we learn we know NOTHING about his character. He may be Ellen, a cleaning lady, and lesbian lover of his former wife. He may be Eric, the homosexual lover of Caden. He may be Caden…who’s dying throughout the many many years this film takes place in.
But but but! Jesus Christ, I am left with nothing. I am a person who can talk about a film or a book forever, and while I know there are things I could talk about…this film is such a jumbled mess of inconsistency, and confusion that I am UNcertain of claiming ANYTHING about the film. This movie is simply a mindfuck that has left me fully drained of rational thought about it.
That said, do I recommend this film to friends? NO.
To Blockbuster customers? NO.
To people who want to see something where the best describer is “what the fuck…”? YES.
I fall into that last section. So I give this a 9.5 out of 10.
I would have given it a 10 out of 10, if I hadn’t wanted to die violently after viewing it. But I guess that is also a reason to give it a 10+, but…I’m sticking with deducting a point because I’m still freaked 24 hours later.
Thursday night I watched MONSTERS v. ALIENS with Josh.
That was far more enjoyable. I recommend that movie to everyone. I laughed a lot, surprisingly. Has a fair bit of "adult" humor, and great slapstick to keep anyone amused for the short running time it has.
Currently listening to:
Sunn 0))) - Monoliths & Dimensions
Currently reading: The Ethics of Identity by Kwame Appiah